{"id":22656,"date":"2014-08-29T21:17:37","date_gmt":"2014-08-29T23:17:37","guid":{"rendered":"http:\/\/eldigitaldeasturias.com\/magazine365\/?p=22656"},"modified":"2014-08-29T21:17:37","modified_gmt":"2014-08-29T23:17:37","slug":"frederick-wiseman-recoge-el-primer-leon-de-oro-a-un-documentalista","status":"publish","type":"post","link":"https:\/\/eldigitaldeasturias.com\/magazine365\/frederick-wiseman-recoge-el-primer-leon-de-oro-a-un-documentalista\/","title":{"rendered":"Frederick Wiseman recoge el primer Le\u00f3n de Oro a un documentalista"},"content":{"rendered":"<p><img fetchpriority=\"high\" decoding=\"async\" class=\"alignleft size-medium wp-image-22657\" alt=\"6600369w\" src=\"https:\/\/eldigitaldeasturias.com\/magazine365\/wp-content\/uploads\/2014\/08\/6600369w-360x235.jpg\" width=\"360\" height=\"235\" srcset=\"https:\/\/eldigitaldeasturias.com\/magazine365\/wp-content\/uploads\/2014\/08\/6600369w-360x235.jpg 360w, https:\/\/eldigitaldeasturias.com\/magazine365\/wp-content\/uploads\/2014\/08\/6600369w-650x425.jpg 650w, https:\/\/eldigitaldeasturias.com\/magazine365\/wp-content\/uploads\/2014\/08\/6600369w-768x502.jpg 768w, https:\/\/eldigitaldeasturias.com\/magazine365\/wp-content\/uploads\/2014\/08\/6600369w-150x98.jpg 150w, https:\/\/eldigitaldeasturias.com\/magazine365\/wp-content\/uploads\/2014\/08\/6600369w-450x294.jpg 450w, https:\/\/eldigitaldeasturias.com\/magazine365\/wp-content\/uploads\/2014\/08\/6600369w-696x455.jpg 696w, https:\/\/eldigitaldeasturias.com\/magazine365\/wp-content\/uploads\/2014\/08\/6600369w-741x486.jpg 741w, https:\/\/eldigitaldeasturias.com\/magazine365\/wp-content\/uploads\/2014\/08\/6600369w-642x420.jpg 642w, https:\/\/eldigitaldeasturias.com\/magazine365\/wp-content\/uploads\/2014\/08\/6600369w-84x55.jpg 84w, https:\/\/eldigitaldeasturias.com\/magazine365\/wp-content\/uploads\/2014\/08\/6600369w.jpg 800w\" sizes=\"(max-width: 360px) 100vw, 360px\" \/>Venecia (Italia), 29 ago (EFE).- El realizador independiente Frederick Wiseman, padre del documental moderno y autor de t\u00edtulos como \u00abTiticut Follies\u00bb (1967), \u00abWelfare\u00bb (1975) o \u00abPublic Housing\u00bb (1997), ha recogido hoy en el Festival de Venecia el primer Le\u00f3n de Oro a un documentalista.<\/p>\n<p>\u00abSiempre he tratado de hacer pel\u00edculas con una estructura dram\u00e1tica, aplicando el modelo de ficci\u00f3n al documental\u00bb, ha explicado el director estadounidense, de 84 a\u00f1os, un habitual de la Mostra.<\/p>\n<p>Productor y distribuidor de su propio trabajo, Wiseman ha explicado esta elecci\u00f3n porque \u00abes la mejor manera de que no te enga\u00f1en\u00bb y ha reconocido que hoy en d\u00eda, con internet, todo es m\u00e1s f\u00e1cil.<\/p>\n<p>Ganador cuatro Emmys, Wiseman trabaja tambi\u00e9n en teatro, donde dirigi\u00f3 \u00abThe Last Letter\u00bb, basada en la novela \u00abVida y destino\u00bb de Vasily Grossman. Su trabajo m\u00e1s reciente es \u00abNational Gallery\u00bb (2014), que present\u00f3 en el pasado Festival de Cannes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Venecia (Italia), 29 ago (EFE).- El realizador independiente Frederick Wiseman, padre del documental moderno y autor de t\u00edtulos como \u00abTiticut Follies\u00bb (1967), \u00abWelfare\u00bb (1975) o \u00abPublic Housing\u00bb (1997), ha recogido hoy en el Festival de Venecia el primer Le\u00f3n de Oro a un documentalista. \u00abSiempre he tratado de hacer pel\u00edculas con una estructura dram\u00e1tica, aplicando<\/p>\n","protected":false},"author":1,"featured_media":22657,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[224],"tags":[],"class_list":{"0":"post-22656","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-noticias-actualidad"},"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/eldigitaldeasturias.com\/magazine365\/wp-json\/wp\/v2\/posts\/22656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/eldigitaldeasturias.com\/magazine365\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/eldigitaldeasturias.com\/magazine365\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/eldigitaldeasturias.com\/magazine365\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/eldigitaldeasturias.com\/magazine365\/wp-json\/wp\/v2\/comments?post=22656"}],"version-history":[{"count":0,"href":"https:\/\/eldigitaldeasturias.com\/magazine365\/wp-json\/wp\/v2\/posts\/22656\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/eldigitaldeasturias.com\/magazine365\/wp-json\/wp\/v2\/media\/22657"}],"wp:attachment":[{"href":"https:\/\/eldigitaldeasturias.com\/magazine365\/wp-json\/wp\/v2\/media?parent=22656"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/eldigitaldeasturias.com\/magazine365\/wp-json\/wp\/v2\/categories?post=22656"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/eldigitaldeasturias.com\/magazine365\/wp-json\/wp\/v2\/tags?post=22656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}